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the U. S. A. Published weekly. Second class mailing privileges authorized at. New York, N. Y.. ADVERTISING RATES on requ

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Idea Transcript


On August 4th, Decca Records celebrated its Silver Anniversary. During its 25 year history, Decca has pioneered many new ideas in the record business including the recording of original Broadway shows. Many of the greatest names in entertainment have at one time or another recorded for Decca and are still recording for the label today. The company has also met with great success through its subsidiary labels, Coral and Brunswick. Gathered around an appropriate “record cake” sporting 25 candles are: (1, to r.) Milt Gabler, Vice President in Charge of Artists & Repertoire; Sydney Goldberg, Vice President and General Manager; Milton Rackmil, President; Leonard Schneider, Executive Vice President; and Martin Salkin, Vice President.

. <

1

1

r

f

What a comeback for

.

.

singing one of the most beautiful songs ever recorded and one of the most beautiful recordings ever

produced

....

A Two

Sided Smash!

*

The Gash Box Volume

FOUNDED BY BILL GERSH JOE ORLECK,

XX— Number

48

August

15,

1959

President and Publisher

NORMAN ORLECK, VP

and Managing Director Treasurer BOB AUSTIN, Gen. Mgr., Music Dept. MARTY OSTROW, Music Editor

GEORGE ALBERT,

The

Cash

Box Publishing

1721 Broadway,

New York

(All Phones:

Co.,

19,

a

Inc.

N. Y.

JUdson 6-2640)

CASHBOX, JOE ORLECK

Cable Address:

N. Y.

HELP

EDITORIAL STAFF IRA

HOWARD,

Editor Associate Editor WILLIAMS, Editorial Assistant BERZOFSKY, Editorial Assistant

THE

IRV LICHTMAN,

TED ALLEN

POPSIE,

Staff

Photographer Art Director

BRUNO DUTKOWSKY,

MARVIN SCHLACHTER,

MARTY TOOHEY, A.

MARINO,

T.

Coin Machine

Office

TORTOSA,

Advertising

RETAILER”

Manager

Circulation

CHICAGO OFFICE 29 E. Madison

St.,

Chicago

2,

111.

(All Phones: Financial 6-7272)

LEE BROOKS

HOLLYWOOD OFFICE 6272 Sunset Blvd., Hollywood

28, Cal. (Phone: Hollywood 5-2129)

JACK DEVANEY ERV MALEC

Hilltop, London, N.W. 11, (Phone: Speedwell 2596)

England

MARCEL STELLMAN,

BINGO BEAUFORT,

Music Coin Machine

SUBSCRIPTION RATES

$15 per year anywhere in A. Published weekly. Second class mailing privileges authorized at New York, N. Y.

U.

the

S.

ADVERTISING RATES

on request. All advertising closes Friday at 12 Noon preceding week of issue. Advertisements subject to approval of publishers.

THE CASH BOX

covers the entire music industry, ranging from retail record and music stores to disk jockeys, music publishers, recording artists, record manufacturers, music composers and arrangers, radio and TV stations, and all others allied to the music industry throughout the world.

THE CASH BOX

covers the entire coin machine inover the world. Operators, jobbers, distributors, manufacturers and suppliers of automatic music vending, service and amusement machines are covered. dustry

all

THE CASH BOX

coverage extends to finance firms, organizations, factors, banks, and other financial institutions, expressly interested in the financing of coin machines of all kinds. loan

The publishers reserve the right to refuse advertisements, editorial material and all other subject and advertising matter that does not meet with their complete approval. Copyright under the International Copyright ConvenAll rights reserved by the Pan American Copyright Convention. Copyright 1959 by The Cash Box

ti° n |

|

-

Publishing Co., Inq,

“Help the retailer” is the most inand urgent demand from almost every distributor with whom you get

until finally it breaks out into a hit. At this point the other sources of sales



into conversation these days.

and the department store step in with

The

LONDON OFFICE 17

sistent

the rack, the discounter, the chain

quantity orders.

been one of the most discussed problems by the retailer situation has

trade in the last several years, but never has the note of urgency been as strong

This problem has been recognized by many manufacturers who have devised plans to aid the retailer. Many other

as

manufacturers are giving the situation

it

is

The

today.

serious thought. distributor, in analyzing sales

prospects, if retail dealers are forced to

go out of business in any number, sees two devastating results:

On the other hand the retailer must help himself. He must think in terms of special promotions, price leaders,

personal services, better trained 1

)

The manufacturer

will

be unable

mileage on his catalog inasas no other facet of sales carries

to get full

much

number of catalog items as does the retailer. The dealer is still the prime mover of catalog merchandise. the large

2) It will be almost impossible to break a single record. When a disk jockey begins airing a release in strength and it begins to take hold with the public, the initial order from the retailer is in two’s

and

three’s.

Only the

dealer can buy such minimal orders

while the record is in the process of building into larger and larger sales

men,

sales-

newspaper advertising, new supplement records, better use of display material supplied by manufacturers and aggressive selling instead local

lines to

of accepting the role of order-taker.

For a healthy and growing record we need the dealer. The manufacturer will sell more records and industry

them sooner. The distributor will sell more records. Even the other pipelines to the consumer like the discounter, the chains and the department stores will sell more records begin to

if

sell

the retailer

the hits.

is

around

to help

make

——









——

The Cash Box TOP 100 Best Selling Tunes on Records The Cash Box FROM

COMPILED BY

18— Pos.

Pos.

8/8

Ip— There 4— My

i

DE-30874— FOUR ACES IT-54074— JOHNNY

Bsg

10-1868— VICO TORRIANI ME-71487 DALI DA TL-4502— CATERINA VALENTE VI-7480— TEDDY RENO



Of Love 3

3

VI-7600— ELVIS PRESLEY

What A

Dif22—

20

WASHINGTON

My

Heart's

An

14

©LI-55200— DAVID

Open Book

5—

Ragtime

Cowboy Joe

6

25—What

8

®MG- 12793—CONNIE

Orleans 2

2

HORTON

27—

FK-201— PETE SEEGER &

28— Baby 24— The

20

34

—What'd 10—Th,

9

13

10

©JA-1 126— DUANE EDDY

12

18

©KA-277—JERRY

29

— Sweeter

See

11

35 12

16

25

57

Waterloo 7

CO-41393

—STONEWALL

31

—Tiger

16-

9

®CN-1037— FABIAN

33

*

17- -T;I! There

Was You 21

CC-512— ANITA BRYANT VI-7451— MIMI HINES & PHIL FORD

23

BT-1 1021 39

Since You've

Been Gone 36

32

50

65 26

45

Girl 66

42

Morgen

94

CO-41451— LESLIE UGGAMS CO-41452— RICHARD

MALTBY LA-3033— IVO ROBIC VS-347— REX ALLEN

Martinique

Memphis,

95 ’8

Tenn.

Three Pigs

89



MG- 12807

— JON

30

61

©AVAILABLE AS STEREO SINGLE RED BULLET INDICATES SHARP

SEE

44

VAUGHAN

The Angels

Mir

99

Half Breed 96

SN-6931

— CARDIGANS'-

69

Bist

73 50 — IRVING FIELDS TRIO ©DO-1 S956— PRIMA & SMITH

100

Darling

7

FO-153—AL MARTINO

100— If You Love Me AT-2033

— LAVERN

CODE FOR RECORD COMPANY NAMES ON JUKE BOX TOP

UPWARD MOVE.

I

Love You

L.

K



MG-12803— MARVIN RAINWATER

Sugaree

DE-30896

SI-614— BIG JAY McNEELY

94

CE-S15— CRESTS

Du Schon

Mind *

Kissed

CH-1730— RUSTY YORK KI-5215— HANK BALLARD And MIDNIGHTERS

— Bei



Listened In I

64

JAMES

I

— Misty

98

CD-1369— EVERLY BROTHERS

91

90

97

CO-41427— JOHNNY CASH

95

93

83

Got Stripes

I

ME-71477— SARAH

DO-15951— NICK TODD MG-12816— CLYDE McPHATTER

—Till

Get

96 97

Twice As Nice

82—

Something On Your

64



AP-10032— LLOYD PRICE

81

—There's

28

CH-1729— CHUCK BERRY

Little

You

80

87

95

80

Jealous 92



100

KA-284— JANE MORGAN

87

Still

Angel Face 55

Arms

40

AVALON

— Robbin' The

©DO-15955— PAT BOONE



A

©CN-1036— FRANKIE

NR-023— TONY BELLUS

SIMONE

CP-119— JIMMY DARREN

63

Boy Without





With Open

93

88

52

Twixt Twelve 67 39

51

78

So Close To My Heart 94

FRANCIS

SW-4031— FREDDY CANNON

And Twenty

AT-2028— CLYDE McPHaTTFB

INDICATES BEST SELLING RECORDS

— NINA

92

FS-8587— KATHY LINDEN

Frankie

Cradle

65

HORTON 61

Ain't Never

©MG-12793—CONNIE

—Tallahassie

Loves You Porgy

9

CA-4214— FRANK SINATRA CA-4238— JONAH JONES

33

56

28

High Hopes

10

DO-15951— NICK TODD

.

I

15

Johnny Reb CO-41437— JOHNNY

Know

84— ©LI-55199— MARTIN DENNY

46

ME-71467— PLATTERS

df'AP-lOOlS— LLOYD PRICE

I

54

Lassie

-Remember

70

Personality

JACKSON

64

When

IM-5606— FATS DOMINO 4

57

KNIGHTSBRIDGE STRINGS

48

76

CA-4248— NAT "KING" COLE

Cry 48

— 91

©VI-754 ©VI-7541— PERRY COMO

(^—Midnight

RK 2006—

Want To Walk You Home

BN -7002— SKIP & FLIP 1

47

CO-41427— JOHNNY CASH

79

92

50

48

Rising

BYRNES

10,000

Flyer

AE-567— JIMMY CLANTON

S

I

37

True Love

In

High And

— EDD

Drums 53

My Own

38

CI-102— TEMPOS

IM-5595— RICKY NELSON

14— It Was

32

i

86

Five Feet

CO-41417— CARL SMITH

VI-7600— ELVIS PRESLEY

September

Than You

18

Came True

KELLER

You

You

My Wish

Summer 29

Only Have

©EN-1046— FLAMINGOS

13

90

Love

77

MG-12814—TOMMY EDWARDS

34

He re Comes 22

Been There 73

Eyes For

Little

Too Much

ME-71478— BROOK BENTON

I

IM-S595— RICKY NELSON

13

Pretty Baby

1

44

VAUGHAN

—Just A

Thank You 17

58

I

72

I've

PE-1689— DOWNBEATS

42

32—

61

84

HO-68— ETERNALS

100

75

COACHMEN

©UR-2013— FALCONS

ME-71477— SARAH

77—You

Rockin' In

81

mile

VS-339— ANNETTE MG-12810— FOUR

14

99

LILLIE

The Jungle

DE-30923— WEBB PIERCE 51

You're So Fine

89

VI-7553— TRADEWINDS DEWINDS

Guitar

24

Melody

40 Miles Of Bad Road

1 1

43

SW-4036— BILLIE &

98

CO-41434— TONY BENNETT

— Lonely

IM-5606— FATS DOMINO

Bells, Bells, 90

60

EP-9323— ROY HAMILTON

72

ME-7146— GEORGE JONES

Bells

— Furry Murray

72

WB-5087

Time Marches On

27

— I'm Gonna 46— Be A

29

49

62—

42'

Hearted

63

58

59



91



88 78

KI-5235— JACK FROST ©VI-7542— EDDY ARNOLD

68

49

— Broken

tree Bells 41

25

26— 15

51

Shot

Sam

You

Tennessee Stud

Wheel Someday

Way 27

AT-2031— RAY CHARLES

MN-408— DICK FLOOD ©VI-7555— THE BROWNS

47

CC-514— JACK SCOTT

Say

I

45— Hushabye

Walk

S

DE-30945— KATIE WEBSTER ME-7146S— PHIL PHILLIPS

Roma

Who

Like

74

MA-117— TASSELS

©LA-3028—MYSTICS

Talk 37

Of Love

Eve-

ning In

41

DR-522— JAN & DEAN

MONROE

On An

45

52

21

47

58

CA-4222— DEAN MARTIN

Sleepwalk

DRIFTWOOD f|8—bSea

8

CV-103— SANTO & JOHNNY



VI-7495— VAUGHN

40

12

40

FRANK HAMILTON SR-439— BUDDY STARCHER TEX WILLIAMS VI-7534— JIMMIE

SX-116

SINGERS

CS-254— EUGENE CHURCH

87

ou We;e

71—A Girl

Soldier

17

Miami 59

CC-516— GARY STITES

Boy

31

FRANCIS

CO-41339— JOHNNY

57— 60— To A

CA-4221— KINGSTON TRIO WB-S073— GATEWAY

Your Collar

Of

97

*®CN-1036— FRANKIE AVALON

T. A.

41

— Lipstick On

11

©BG-3016—SAM TURNER

M.

Love

Is

RO-41 60— PLAYMATES

Lavender Blue

New

©MS-12792— ANDRE

Love

44 31

PREVIN & DAVID ROSE

SEVILLE

26

Battle

38

CG-59047— JERRY WALLACE

54

Mine

— Bobby Sox To

56

Lane

RB-6901— FIREFLIES

Stockings

Young

7

JR.

7

16

& CHIPMUNKS

OE-3O803—CARL DOBKINS,

6

Like

— Makin'

Primrose

Swear

85

69

TWITTY PH-3539—CARL MANN

5

88

VI-7529— FLOYD ROBINSON

I

I

Pos. 8/1

Pos.

8/8

36

SKYLINERS

r

THE HURRICANES

33

K -5223— MOON MULLIGAN MG-1 2804— CONWAY

MATHIS

CX-106

Rock

35-

Lisa 30

24

—This —

-Red River

20

85

71

WA-509— JOHNNY &

Mona

37

CO-41410— JOHNNY

4

©ME-71435— DINAH

22

56

GY-2018— MITCHELL TOROK

65

54-

86—

VI-7513— RAY PETERSON

Caribbean

39— BR-55136— JACKIE WILSON

Small World

A

53

62 23

Pos. 8/1

The Wonder Of You

68

128— RAY SHARPE

Be Satis-

I'll

Pos.

8/8

59

fied

21—

Day Makes 3—

38—

©JA-1 127 —JACKY NOGUEZ

69— 68

Linda Lu

JA-1

CM-1 67— BOBBY RYDELl

DORELLI

Hunk

ference

43

Pos. 8/1

60

— Kissin' Time

MODUGNO

1

8/8

52

Gonna

79 AP-10032- -LLOYD PRICE

19

19— DE-30845— DOMENICO

Boy

Pos.

Pos. 8/1

Get Married

CA-41 66— SERGIO BRUNI CO-41422— JOSE CLEBER

©AP-10022— PAUL ANKA

A

Pos.

8/8

36— I'm

19

6

AT-2025— DRIFTERS

3

35—

Bambina

5

2 Lonely 5—

Pos. 8/1

Ciao Ciao

Goes Baby

'

August 15, 1959

Pos. 8/1

8/8



LEADING RETAIL OUTLETS

BAKER 10

PAGE

Cash Box

,

M usic

p age 5

August 15

,

1959

OUT ONLY 6 DAYS.JT’S A SMASH ON THE CHARTS !!!

“It’s

What’s in

THE CASH BOX

That Counts

—INTERNATIONALLY

6

)

Page 6

The Cash Box

August 15

1959

,

The Gash Box

& Stereo Albums

Best Selling Monaural

""COMPILED BY The Cash Box FROM LEADING

RETAIL OUTLETS

lllllll!lllllllllllll!IIIIIIII!lllll!llllillllllllllllllllllllllllllligilllllll!lllllllllllllUIIIIIIIIIN^

O

-k Also Available in EP

Also Available

in

Stereo

MONA URAL Pos. Last

Pos. Last

Week

Week

MORE JOHNNY'S GREATEST

_

HITS

1

2

© QUIET VILLAGE

||

AA

©

-

TRIO AT

© KINGSTON LARGE

2

© (RCA

ZJ

PETER

GUNN

8

LPM

1956,

SOUTH PACIFIC

3

© HOLLYWOOD RHYTHM 13 Ray Conniff

noNO

IN

14

©EXOTICA

5

Martin Denny (Liberty LRP-3034; LST 7034)

»

© MORE MUSIC FROM PETER GUNN

9

Henry Mancini

12

|

*“*! Broadway Cast (Columbia OL 5420; OS-2017)

© NINA SIMONE

24

4

EAP-1,

(RCA

Victor

LM-2335—LSC-2335)

MAN

THE MUSIC

©

Broadway Cast (Capitol W AO-0990; SWO-990

32

1170)

2, 3,

28

I

Robert Russell Bennett

18

39 *

EDM-

7

in w

©ESPECIALLY

©

BERMAN

JM* Mitch “

nc©

(Jamie LP-3006; ST-302

*

FOLK SONGS SING

ALONG WITH MITCH Miller *

38

(Columbia CL-1316;

B-1316,

1

,

37

RACHMANINOFF

^ CONCERTO #3 34 Van

27

Davis (Columbia L-1275; LS-8085 * B-12741)

77 SUNSET STRIP Bros.

SWINGS

40

(RCA

PORGY AND BESS

+*

IT

Cliburn Victor LM-2355)

2, 3)

Warren Barker (Warner 2b W WS-1289 FA-1289)

EP-302)

CHANCES ARE

Shorty Rogers Victor LPM 1975; LSP 1975

33 (RCA

V Miles

FOR YOU 20

Duane Eddy

43

Sinatra (Capitol W-l 221 ; SW-1221)

mo

25

W-1289;

"M" SQUAD

35

35 (RCA

Stanley Wilson Victor LPM 2062; LSP 2062)

IMPACT Morrow 36 Buddy (RCA LPM-2042; LSP-2042) Victor

*

Berman

Shelly

CALLS ME

*

ONE CARES

CS-8118

*1 Nina Simone (Bethlehem 56028, 6028)

1 **

(RCA Victor LPM-2040; LSP-2040)

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31

EP-1076)

Emit Frank

Victor LM-2252; LSO-1032 *

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*

T-l 170

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INSIDE SHELLY

Trio

(Argo LP-628

a a CRAZY HE Staton 2 2 Dakota (Capitol

EPA-4211)



Ahmad Jamal

VICTORY AT SEA— Vol.

19

990;

Movie Cast

J

22

Henry Mancini (RCA Victor LSP 1956 * EPA-4333)

1

Kingston Trio (Capitol T-1199; ST-1199 * EAP-1, 2, 31199)

O

2

1

Week

Week

Martin Denny (Liberty LRP-3122; LST -7 122)

Johnny Mathis (Columbia CL-1344 * CS-8150)

Pos. Last

Pos. Last

BUT NOT FOR ME

(Verve MGV-15003)

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1

The Kingston Trio (Capitol T-l 107; ST-1107)

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9

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Lena Horne & Harry Belafonte (RCA Victor LOP -1507; LSD-7507 )

11

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FILM

34

ENCORES— Vol.

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29

• PORTFOLIO OF AHMAD JAMAL

29



31

Jamal 38 Ahmad (Argo LP-2638; LP-2638-S)

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GO BO DIDDLEY

37 Bo (Checker LP-1436) Diddley

2 (1 Mantovani (London LL-3117;

Andre Previn & David Rose

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MY

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44.

LATE LATE SHOW.

Boone 0 Pat (Dot DLP-3180

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JUST A MATTER OF TIME.

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SW-1069)

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RAY CHARLES AT NEWPORT.

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FILM ENCORES Vol. MISS GLORIA LYNN.



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STARE © Pos. Last

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EXOTICA

1

THE KINGSTON TRIO AT LARGE

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Henry Mancini (RCA Victor LSP-2040)

£

PETER

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Victor LSC-2335)

MY

FAIR

LADY

1

10

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13

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GUNN

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1 Em



QUIET VILLAGE Martin Denny (Liberty LST-7122)

Arthur Lymon (HiFi 806)

II

11

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Movie Cast

M ||

COME DANCE WITH ME

12

ST-3641)

9

MORE JOHNNY'S GREATEST HITS

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Johnny Mathis (Columbia CS-8150) 44

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SECRET SONGS FOR YOUNG LOVERS



Andre Previn & David Rose

Only those records

Of*

1

2

OVERTURE

22

Anatal Dorati 2 §t (Mercury

SR-90054)

OOEXOTICA— Vol.

a a BLUE HAWAII w (Dot Vaughn SD-25165)

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Em*

19

OO CONCERTO

II

23

1

30

BESS

28

Martin Denny (Liberty LST-7006)

SF 3716)

best suited for



// 18

17



On LET'S

CS-8085)

DANCE

24

31

26

32

Original Cast (Capitol SWAO-990)

SEA

PORGY AND

29 (Columbia

Carrol J (/ David (Mercury SR-60001

Harry Belafonte (RCA Victor LSU-1507)

a a VICTORY AT

Victor LSC-2252)

20

8.

nnMUSIC MAN Emit

NO.

Miles Davis

PORGY AND BESS Lena Horne

O Van Cliburn (RCA

NO ONE CARES 2| Frank Sinatra

15

Van Cliburn (RCA LSC-2355)

(MGM

21

(Capitol SW-1221)

Frank Sinatra

RACHMANINOFF C CONCERTO NO. 3

1

SUNSET STRIP

Billy

(Capitol SW-1069)

6

re

(MGM

* 1

29

(Capitol)

(London PS-125)

77

Week

TCHAIKOVSKY

Vol.

Mantovani (London PS-164)

in

5

™ w George Shearing

(Columbia OS-2017)

(RCA

TABOO

Pos. Last

__

9QSHEARING ON STAGE

Broadway Cast

A it

Henry Mancini Victor LST -1956)

Mantovani

in GYPSY

Original Cast

FILM ENCORES

14

Warren Barker (Warner Bros. WS-1289)

(Columbia OS-2015)

MORE MUSIC FROM PETER

Week

FILM ENCORES

9

VICTORY AT SEA —Vol. |H Robert Russell Bennett IU

AA

Kingston Trio (Capitol ST-1199)

BESS

Sound Track (Columbia OS-2016)

Victor LSO-1032)

Martin Denny (Liberty LST-7034)

Pos. Last

Week

Week

27

SOUL OF SPAIN

31

101 Strings (Stereo Fidelity 6600)

MORE MUSIC FROM Vol.

tm fl Robert Russell Bennett (RCA Victor LSC-222 6)

commercial use are reviewed by

II

THE FABULOUS

50's

25

Roger Williams (Kapp KS-3013)

THE CASH BOX”

f

Tie

Cash Box, Music

Page 7

August IS,

The Coasters’ Hits are piling up ^Here’s

another million

record seller!!!

17

"I’m

i / A Hog For You”

ms? /

b/w

"POISON IVY” ATCO 6146 RECORDS rsonal

Management:

Lester

Sill,

1610 N. Argyle, Hollywood 28, ((

It’s

What’s in

Calif.

THE CASH BOX

157 West 57th Street New York 19, New York That Counts—INTERNATIONALLY”

cd



August 15, 1959

Page 8

The Cash Box Music ,

Record Reviews A

B+

PICK

B

EXCELLENT

“Only those records

C+

VERY G90D

C

GOOD

MEDIOCRE

THE CASH BOX

commercial use are reviewed by

best suited for

D

FAIR

Illllllllllllllllllll

The Cash Box

LINDA LEIGH

BUBBER JOHNSON

(American-International 540)

(King 5232)

PROMISE YOU”

(2:12) [Dijon Johnston, Harriet] Lark and combo-chorus support are strongon the potent emotional ballad. Stands a chance to make it. From a pic tagged “Ghost Of Dragstrip Hollow.” “I

B •BMI — “POISON IVY” “I’M

A HOG FOR YOU”

BMI— Leiber, Stoller] [Tiger BMI— Leiber, Stoller]

[Tiger

(2:43)

(1:59)

COASTERS

delightful rock humor by the team on “Poison Ivy.” Fellas warn about a “crazy” dame who can give a guy poison ivy (“you’re gonna need an ocean/of Calamine lotion”). Deck is an easy chart followup to “Along Came Jones.” Underlid is an infectious item that stands a chance for listing success. But, we’re strong on “Poison Ivy.”

“MY GUY”

B

(1:35) [Dijon

BMI—

Brasch] The rock-novelty offers youngsters a good upbeat sound.

(Volcano



LOVE” [Gladstone (Abner

“MEET MY LITTLE DOLLY”

(2:32)

ASCAP — Clark]

1029)

It Up” smash with a two-sided Initial reaction will probably center around the outstandingly infectious belter, “Hey Little Girl,” but there’s also chart news written

Performer can follow his “Just Keep

B



[Weitz BMI Weitz] Singer Mercer and combo-chorus offer a contagious beat session here. Happy sound that could be active. (1:45)

click.

Your Love,”

into the beautifully portrayed “If It Wasn’t For teen ballad.

a lovely

(Love You)” (2:34)

[Jay

BMI— Phillips,

Cee

infectious

Toombs] declaration from John-

i

.

son and important combo-chorus support. Could break in both pop and

r&b

circles.

“COME HOME”

(2:50)



B

[Jay

&

Cee BMI Johnson] The songster shows-up fine on the attractive soft pleader. Two commercial sides.

(ABC-Paramount 10037)

1)

FOR YOUR

WASN’T

IT

“IF

Stevenson] DEE CLARK

An

DO

THE PRIVATES & COLONELS

TOMMY MERCER

well,

,

(Atco 6146)

9 More

“HEY LITTLE GIRL” (2:15) [Roosevelt & Tollie BMI — Black-

n “I »+ &

n

.“THE CANNONS ON

O+HILL”

BUNKER BMI—

[Pamco (2:06) Reedes] Effective build-up marcher on the “Skip To My Lou” tune. Flute carries the tune, while brass and percussions pound out the beat. Could show-up.

“VOLCANO

fi, V"> [Weitz



ROCK”

(2:01)

BMI Weitz] A semidramatic melody gets the weirdo-rock treatment.

B

CHA

“CHOPSTICKS

[Pamco BMI

(2:05)

CHA”

Reedes] excercise goes

keyboard

Familiar



|

Latin.

“OKEFENOKEE” “ROOKIE HAT”

(2:39)

FREDDIE



[Claridge

(2:05)

CANNON

Cannon should be driving

BMI— Slay, Crewe] ASCAP—Dean, Harris]

[Conley

contagious date voices included

is

— on

Good belt-novelty

sure-fire teen stuff. .

FELICIA SANDERS (Decca 30937)

(Swan 4038)

way

on the charts again (he’s still on with “Tallahassie Lassie”) with “Okefenokee,” the name of a famed Florida swamp and the locale of Walt Kelley’s “Pogo” comic strip. The his

MARY SWAN (Unart 2019)

“Kookie Hat.” Could be active,

—“Chipmunk”

too.

“CRYING IN THE CHAPEL” (2:27) [Valley BMI — Glenn]

B

Songstress convincingly renders the one-time Darrell Glenn smash. Of note is the unusual choral opening, a Glee Club-sounding affair.

“DANCIN’”

“THE REAL THING” (2:16) [Dufferin ASCAP— Manning, Hoffman] “GOT A LOCKET IN MY POCKET” (2:10) [E. H. Morris

ASCAP—

FOUR LADS

9

Group

[Barbrob 1/ ASCAP Wisner] Contagious upbeat display that has a feel of the roaring twenties.



'

(Columbia 41443)

BRUCE & JERRY

“UN JARRO” [Bobby

Tunes

Sherman]

The songsters, who

will

B

go for

handled beautifully by Deck with class. Jocks

is

“SUMMER LOVE” (2:53) Young ASCAP —Young,

Arnold]

n ®

One

of

the

finest melodies

late

Victor

f

class all the way.

[Daywin BMI

(2:19)

BMI — Addrisi,



Johnston, Cooper] musically battle it out over who saw the gal first. Bit is done extremely well, with a good vehicle and excellent combo backing. '

fellas

Watch

this one.

Addrisi] (Del-Fi

4120)

B

with “Cherrystone,” offer two important takes for teen acceptance. Boys have an Everly Bros. -like glow on the tender “Saving My Kisses,” while “Un Jarro” spotlights them in a different-sounding- and highly exciting' Latin pose. Watch for both. hit

SOUTHERN

B WAY” (1:41)

“TAKE THIS PEARL”



ME THAT ASCAP—

(2:58) [Harms Porter] The rare Cole Porter delight is fashioned deliciously by the stylist,

who

is backed by engaging arrangework by the ment-of-the-twenties Billy May ork. Side is included in performer’s recent LP, “Jeri Southern Meets Cole Porter.” Sure-fire deejay stuff.

(2:12)

[Daywin BMI Johnston] Twosome blends strikingly on the affec-

“RUN”

B — White,

[Famous ASCAP Interesting Wolf son]

(2:06)

roek-a-cha-cha date, with Miss Southintriguing percussion getting ern moments from the Bob Thompson ork. Can get strong plays, too.

tionate teen ballad.

TOMMY HUDSON “00 LA LA LA LA”

(2:00)

[Margie

ASCAP—Catalano,

“A LITTLE GIRL CRIED” [Nevins-Kirshner

(RCA

VAN ALEXANDER

B “SWANEE

(2:20)

ASCAP — Martin,

BARBARA EVANS

(D 1073)

Kulaga]

O'" BMI

Harvey]

Victor 7576)

9

Songstress, who was active last time out with “Souvenirs,” could show-up strong on the merry can-can-styled ditty, “Oo La La La La.” Lark’s sunny delivery is supported engagingly by the Mort Garson ork-chorus. Be on the look-out for this festive date. Exposure can do things for the performer’s touching rendition of the potent wistful, “A Little Girl Cried.’ Should be watched. V Wi'.irjvwrtt mi mi - "kt

Orafy those records best suited for



RIVER GAL”

[Glad

Ashburn] Barroom keyboard opens with strains of “Swanee River” and then Hudson and combo take-over in sizzling style. Tune is partly used in the Hudson vocal too. Strong sound that could make it.

B

“BAND STAND ROMP”

[Glad

BMI

stuff,



Snils,

Ashburn] Wild

(Capitol 4258)

B

“THE BIG OPERATOR” (2:33) [Robbins ASCAP — Alexander]

The ork does a neat job

of poundingout the jazz-inspired pic main-title. Stuff in the “Peter Gunn” line that can get good air-play.

“THE SHAKE” Tone BMI — Harris]

with instrumental work a potent high-

B

light.

that recognizes the

commercial use are reviewed by

|

it’s

(Capitol 4250)

FIRST”

I

[VicBerle,

and again

“DON’T LOOK AT

SAW HER

“I

|;

it.

tor

Young’s

(Arwin 1003)

Two

ADDRISI BROTHERS



lovely opus the thrush.

JERI

is its

“SAVING MY KISSES” (2:34) [World-Kemo BMI— Sherman,

“IN OTHER WORDS” (3:00) [Almanac ASCAP Howard] The

David, Pockriss]

usually fine upbeat self on a mighty cute and tuneful romantic, “The Real Thing.” Lyric compares a “true diamond” with “true love.” Programming will be strong, giving deck important chartbound exposure. Boys are again in a bright mood on “Got A Locket In My Pocket.” Should be watched.

9

(2:28)

B

THE CASH BOX’

[Wil(2:12) Solid swinger teen market.

k

"he Cash

Box Music

Page 9

,

LJ11RT

mm Double Barrelled Hit!

Wendell Smith

“NASHVILLE TENNESSEE b/w

“NO MATTER WHAT YOU DO UNART

2021

Beautiful Ballad

Mary Swan “CRYING IN

THE CHAPEL DANCIN’ UNART

2019

The Falcons “YOU’RE SO FINE” b/w

“GODDESS OF ANGELS” UNART

2013

UNITED ARTISTS RECORDS « It

s

729 SEVENTH AVENUE, NEW YORK 19, NEW YORK What’s in THE CASH BOX That Counts—INTERNATIONALLY”

August 15, 1959

tit

August 15

Page 10

The Cash Box? Music

'

1959

,

Record Reviews A

6+

PICK

B

EXCELLENT

“Only those records

C+

VERY GOOD

C

GOOD

MEDIOCRE

THE CASH BOX’

commercial use are revietved by

best suited for

D

FAIR

IIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIilllllllllllllLllllllllllllllllllllllllllllllllll^

The Cosh Box

DEL REEVES

SIGNATURES

(Las Vegas 1400)

(Warner

ft

B

“TEENBEAT” (2:27) [Drive-In BMI — Nelson, Egnolan] “BIG JUMP” (1:55) [Drive-In BMI— Egnolan] SANDY NELSON

(Original

5)

up a terrific percussion treat and could zoom way chance, but it s the the charts. Middle portion of deck gives guitars a tuggeipercussion pounding that sells deck. Watch it! Bottom lid is

#

“Teen Beat”

is

fast.

.“JOHNNY APPLESEED”



(2:05)

B

Bros.

5089)

WE GOT FUN”

“AIN’T

(1:56)



[Las Vegas BMI Cochran, Deal, Filling] Tale of the familiar character of American folklore is told in “Battle Of New Orleans” sound terms by Reeves and instrumental support. One of those dates you’ve got to watch.

Egan, Cahn, [Remick ASCAP Whiting] The smart, jazz-inspired crews move inventively through the Sure to be welcomed by the oldie.

n

B

>

“BECAUSE YOU LOVE ME”



[Las Vegas BMI Reeves, Reeves, Fanning] Good rhythm sound backs Reeves’ on his fine reading of the romantic. (2:29)

hip jocks.

“PLAYBOY”

[Cathryl

(2:23)



ASCAP

Miller, Porter] stylings, this time

imaginative “travelogue.”

More on

a

MARGARET WHITING (Dot 15973)

“RUN, BOY RUN”

(2:08) [Gregmark

“NEW KIND OF FOOL”

(1:41)

TURKS

BMI— Hazlewood]

[Gregmark BMI

— Hazlewood! fj

SANFORD CLARK

(Jamie 1129)

Haunting “Run, Boy Run” session can be Clark’s vehicle back to the fella charts (he had “The Fool” some time ago). Effort is about a after who’s on the run because he’s stolen and thus the authorities are “follow-up him. Much can be said for Clark’s rhythmic middle-beat to “The Fool,” “New Kind Of Fool.” Should be eyed also.



“HULLY GULLY”

,

cordo Jefferson] songsters.



BMI

[Re-

(1:50)

Hodge, Williams, hop try by the

Strong Date is wild both on vocal

combo

and

A.”

—U.Jefferson,(2:14) BerS.

Lead takes the blueser for a

nard]

solid teen ride.

‘JUST TO BE

WITH YOU”

[Audicon

(2:18)

“OH MELANCHOLY ME” [Jimskip Audicon

(Audicon

songsters can score the first time out. Side of particular note here is the strong ballad, “Just To Be With You,” which the boys present in an excellent teen light. “Oh Melancholy Me is fine upbeat came-up stuff and could move. Label was formerly tagged^ Acusticon and with the recent Magatons’ hit, “Velvet Waters.”

“REMEMBER THE ALAMO”



B

Bowers] An (2:27) [Vidor BMI interesting commentary on the famous Mexican War incident that may have been inspired by “Battle Of New Orleans,” but contains a sound of its own. Could break.

“AT LAST”

B



LITTLE OLD CHURCH IN THE VALLEY” [Remick

ASCAP— Kahn,

(2:11)

RAND & JOKERS

English version of the oftrecorded German hit. Here’s a reading of the effort that should share well in the tune’s bright sales future. Warm essay on the undercut.

9

The country-pop songster

offers a fine

The Cash Pox

B+BMI —

-

‘TM STILL THINKING”



B

BOBBY VEE (Liberty 55208)

(RCA

P tsb* ,

fk

“BLUEBERRY HILL” ASCAP —

®+ [Chappell ,

(2:26)

Lewis, Stock, Rose] Strong rock-a-string Sans-lyric course for the oldie. chorus is effective. Can be another rock-a-string success.

B

MILT ROGERS

WHO’S SORRY NOW” (2:13) [Mills ASCAP—Kalmar, Ruby,



Snyder] Similar turn for the recent Connie Francis smash.

BABY” (2:48) [B. Alexander BMI — Vee] Vee

“FLYIN’ HIGH”

(1:43)

BMI —Veline]

“FRENCH FRIES”



B

is

on solid front-work duty. Kids will

like.

B

“MANHATTAN” Marks BMI

Only those records

best suited for

(2:08)

— Rodgers

[E.

& Hart]

arrangement on the fervent sion of true love.

“I

REMEMBER MAMBO”

B+ [Ted

BMI

Rosen



(2:32

Krasnox

Ramin, Rosen, Share] Good idea re ceives a catchy novelty work-out bj songster Haskell and such pro sup port as the Ray Charles Singers am Sid Ramin jock spins.

Should win

ork.

lots

“WHO CAN SAY?”

(2:22) [Te Krasnor, Ramin Rosen, Share] The legit songster blue and carries the theme with au thority. Classy showing.

B

Rosen

BMI

-



-

from

ai’tist’s

“Rogers

And

With

Heax-t” LP.

commercial use are reviewed by

B “DON’T LET YOUR SWEE' B+LOVE DIE” (2:54) [Dixie BM — Ness, Manners] A date that coul ,

-

be significant. Lopez is strong on th pleading pounder and performer get a first-rate sound from the accom paniment. Better eye it.

B.

In

a trio format, Rogers is bright and melodic on the gx-eat standard. Side’s

Plays Rodgers (i

(2:00)

[Randy-Smith ASCAP Rogers] Good skipping beat sound to this instrumental from the pianist’s ork. Sax

[B.

This all-instrumental carried solid upbeat sound weight. Group is tagged the Shadows (it backs on top-half).

Alexander

(2:21) Similai expres-

BMI — Randazzo]

[Score

(King 5234)

“SUZIE

hands-in a good rockaballad performance on the melodic romancer. Guitar backing is sound-worthy. Deck, a Liberty master purchase, could produce.

B

i’e-state-

TRINI LOPEZ

(Dot 15971)

Victor 7582)

vibrant rock-ballad

“ONLY YOUR LOVE”

B

(1:47)

Detarando, Giam] [Wall BMI The middle-beat item has a contagious sound.

RAY MARTIN

A

to the charts again.

n “SHAKE

IT UP” (2:00) [Wall Detarando, Kugell] Rand and companions x aise the rock roof here. Pro teen zest could carry the deck to the charts. Dot distributes

tg,

label.

ROCKIN’ STRINGS OF

Hill]

ment of the Joan Weber success oi some years back. Miss Loman is verj strong on opus. Could come arourn

(Thunderbird 19552)

C. (Candy 003)

347)

(Vista

“LET ME GO, LOVER!” (2:12) [Hill & Range ASCAP— Carson

B

JACK HASKELL

Arnold, Alstyne] I).

REX ALLEN

BMI—

(2:05) [TNT Johnson] This ballad also achieves something of sound interest.

(One More Sunrise)” (2:50) Sidmore BMI Moesser, Sherman]

THE

(ABC-Paramount 10036)

174)

102)

9 New

“MORGEN

[Famous

Whiting, Chase] Pro thrush warmly revives her one! time success. Cozy combo offers soft From her “Margaret legit support. Whiting’s Greatest Hits” album, sid< should garner solid air-time.

LAURIE LOMAN

RICK JOHNSON

Baron]

(TNT PASSIONS

(2:36)

BMI — Kalfin]

(2:08)

BMI —Barkan,

“MY IDEAL” ASCAP — Robin,

B

“ROCKVILLE [Recordo BMI

(1:54)



[Acuff-Rose BMI Williams] The Hank Williams’ standard is nicely rendered by Miss Whiting, who receives easy, sometimes sax led backing from Milt Rogers. From hei “Margaret” LP. Could come through,

Can climb the

counts.

charts.

B

“HALF AS MUCH”

B

(Class 256)

Heart

“I’M GRATEFUL” (3:02) [Ja Milton, Pierce & Cee BMI Songster smooths nicely over th

B

blues-styled

THE CASH BOX’



affaii\

Attractive wor

1

he Cash Box

,

Music

Page

August 15) 1959

1

ABC-PARAMOUNT’S GOT

Hid! LIVING DOLL

RICHARD and The Drifters ABC-1 0042

NOWNo.

REAL

1

Distributed

smash

all

in

Canada by Sparton

over Europe!

SOON-

No. 1 smash from Coast to Coast! “It’s

What’s in

THE CASH BOX

That Counts

—INTERNATIONALLY”

of

Canada, Ltd.

The Cash Box

,

August 15

Page 1

Music

1959

,

k

Record Reviews A

8+

PICK

B

EXCELLENT

C+

VERY GOOD

GOOD

C

D

FAIR

MEDIOCRE

THE CASH BOX’

Only those records best suited for commercial use are revieived by

iniiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii

lilRIlllllllllllllllllllllllillliillllllOlllllllllllllilllllllllllllllll

€!ash Sent

CURTIS LEE

PLAIDS

(Warrior 1555)

(Era 3002)

«

m “AROUND THE CORNER (From D+My House)” (2:15) [Pattern ASCAP—-Howard] Delicious vocal-combo

“WITH ALL MY HEART (I Love B+You)”- (2:05) [Clayton BMI—

RAY JOHNSON

MARTY HILL

(RCA

(Atco 6145)

Victor 7573)

B

Performer’s support is excellent, with a flute making unique appearances. Could be a smash.

aplenty in

CAVALIERS (NRC 028) (2:44) U, “CHARM BRACELET” BMI — Michaels,

“DREAMY

.

“THAT’S JUST



MY WAY”

[Marionette Todris]

(2:12)

-

B enell

A

light rhythmic beat to this tale about a fella who discloses his personality to the gal. It’s an interesting theme and side grows on

“FOG CUTTER” (1:56) [Cor. p B+nerstone BMI — Manolides, Pe,

Riccitelli,

you.

Hosko, Schoning, Fulton] little tune is taken for a solid rock instrumental ride. Sax and percussion bits are the principal sound ingredients. A sound that can do it.

tersen,

U+

“BLACK SAPHIRE” [Cornerstone

ERNIE FREEMAN (Imperial 5612)

p “ALWAYS [Post »+(2:00)

BMI — Manolides,

the appealing melody. His support is Latinish, with a sans lyric chorus helping along. All in all, very

pleasant listening. Might move.

CREW-CUTS Victor 7577)

(2:17) [Goday p “BERMUDA” B+BMI — Strothers] Colorful beat ,

essay on the familiar item. Could succeed for the team.

“K I N-N I-K I-N

B

I

C”

[Shapiro, Bernstein

SPITFIRES (Jaro 77004)

p Dt [Milene

MAIL”

(2:09)



ASCAP Jenkins] A guitar sound the kids will appreciate. Pace is bright and other instruments (sax, piano) pop up with interesting teen ideas (including a bagpipe sound). Bears close attention. Label is a Top Rank subsid.

B

“CATFISH” (2:25) [Tuneville BMI — James] More guitar-

featured work that ought to please the teen crowd, but upper half is

more

exciting.

“THAT’S THE

WAY

IT

GOES”



[Louis Innis BMI Sie(2:04) bert] Artist and company are closer to the country idiom here. Pleasant middle-beat sound.

,

“MY YOUNG HEART” (2:15) ASCAP — [Kaden-Iveynote

Cody, McReynolds, O’Hara] Davis takes the sweet teen wistful with sincerity. Fine singing personality.

Quadling, Howard, ASCAP Jurgens] The standard receives a solid swing-rock treatment from songster Anthony. Could click.

“MY SEARCH FOR YOU IS ENDED” (2:15) [Melomusic ASCAP — Bonacio, McKiernan]

B

Pleasant sentimentalizing cha-cha beat.

to

a

“HE STOLE FLO”

“DEAREST p Dt [Smoothboer

B

“BE

NICE TONIGHT”

(1:58;



grows on you.

“KISS

ft

(2:13)

YOUR DADDY NOISY [Creative ASCAP— Wil

Another blueser, hard beat is put on it.

lert]

DARLING” (2:00) BMI — Blihovde]

Lots of punch in this presentation by songster Blihovde and percussion-featured combo setting. Rock excitement that can come through big.

B

“AIN’T-A

but

a

hare

THAT SOMETHIN’ BMI—

O’Keefe (2:27) [Longhorn Guy’s found a gal and songster O Keefe and combo-chorus tell of it i

an infectious, middle-beat way. Affa ble side.

B

“CIGARETTE AND COFFEE BLUES” (2:47) [Marty Robbins

BMI — Robbins]

The

Lefty

B

DREAM”

“LOVE’S

(2:42



O’Keefe] Ex otic feel to this haunting take.

[Longhorn

BMI

JANIE JONES (Award 156)

B

MY

GIRL FRIEND” (2:35) Rodriquez] BMI [Melotone

“BE



Songsters blend warmly on the tribute Tune has appeal and approach is very teen-wise. Teeners to the loved one.

B

“YOU SAID GOODBYE”



BROKEN VOW”

(1:47)

BMI Devorzon Teeners are sure to be moved by the touching work here by the new song duo. Tender opus concerns childhood sweethearts and the eventual marriage of the girl to another man. Should be eyed closely.

“NEVER

BEFORE”

(1:50)

[Sherman Devorzon BMI Kohen] A happy beat entry with a contagious country feel.

best suited for

(2:32

Roth] Pleasar [Bayside BMI easy-beat ballad date. Thrush is ai pealing and her ork-chorus settin is

soft.

will like.

B

“I’LL

ALWAYS

[Melotone stint here is somewhat dramatic. It will also make

(2:30)

quez]

more

BE TRUE” BMI — Rodri-

The

ft

“WHEN SUMMER LOVE HA

k ” GONE” Roth]

(2:21) [Bayside BMIAffable ballad work again.

friends.

CAIN & ABEL

“Only those records

in!

Wilier ASCAP ] [Creative gives the label a good start. Effor a pleasing middle-beat bluesei is which the songster understands. Decl

(A

B

touch

Much

upbeat novelty item. teen sound here, too. to this

BUSH BOYS “A

[Pat-

(2:10)

ASCAP— Stuart] R&B

tern

(Capitol 4257)

Bush]

[Bourne

LOVELY” ASCAP

Tobias, Daniels, Arnheim] Striking rendition of the oldie not unlike the Flamingos smash refurbishing of “I’ve Only Got Eyes For You.” It’s effective and should be watched closely.

B+ [Sherman (2:00)

B

(Finch 2001)

n “SWEET AND Bt (2:34) [Robbins

n

lives near stint that can

LARRY O’KEEFE

TOMMY & EDDIE

B

who

(Freedom 44020)

HAL DAVIS



(2:08)

[Post ASCAP Freeman] The stand here is R&B-styled and comes-off effectively. Chorus is a big sound factor.

(Barbizon 100)



B

ballad

B

SUMMER LOVE”

DON ANTHONY “CARELESS” P, O"

try-slant, but is easily acceptable as a pop entry. Could make it. Effort has also been cut by the Look label.

Frizzel click in the country field gets an appropriately honky-feel reading.

“A

(Alden 1301)

beat-flavored opus. Interesting side.

“FIREBALL

up with him. Production has a coun-

(2:14)

ASCAP

Garson, Shuman] Boys again showup on the upbeat with this tom-tom

.

WITH YOU” ASCAP— Free-

man] The pianist is in fine beat company here as he nicely handles

Petersen, Hosko, Schoning, Fulton] Cha cha influence in this easymoving combo chore.

(RCA

for this ditty about a free livingcharacter who finally has love catch

(Lindy 1113)

(2:02)

a cutey

Hearty teen

(Econ-45)

MARV BLIHOVDE

Catchy

ft,

this fella.

KEN WILLERT

(Decca 30949)

step-out.

BMI

FRANTICS

HAL WILLIS

way

B

(Dolton 6)

paced stint that offers the kids some solid upbeat sounds. Combo-chorus work on both sides is fine.

(Jubilee 5376)

Can



'

B

“POOR LITTLE JIMMIE” (2:22) p W+ [Be-Are BMI — Wayne] Catchy

,

BIKINI” (1:46) [Wonder BMI Kassin, Warren, Michaels, Arkin] Some triedand-true belt gimmicks here. It

“PURE LOVE” (2:11) [Faire BMI — Hodges, Burnett] A fast-

VIC CIRO

Todris] A weird rock novelty about a “thing” that shrinks people and objetcs. “Thing” is represented by a shrill sound and is very effective.

possibly break.

romp about

(2:03)



“THE SOUND” (2:27) [Marip fir onette-Benell BMI — Riccitelli,

[Wonder

Arkin] Touchingly expressed disenchanted opus. Lyrics are good. Certain to affect teeners. Could

V

PRETEND”

[Progressive BMI Hill] Less dramatic, but still wistfully effective work by Hill. Fine teen opus. This Fella can sing.

ASCAP — Rich-

[Larry Shayne

ards] Afro-rock ideas this interesting job.

“DON’T

B

(2:42)

.

show-up.





t( 2:09) [Bermason BMI Chilton, Huling] A feelingful prayer for the gal’s affections is beautifully expressed by Johnson. Bob Thompson ork provides strong rock-a-string support. Can make the grade.

“BLUE CONGO”

Davis] Good ballad gets a Ricky Nelson-like rendition by Lee. Flavorful teen attraction.

“CHANGING” (2:17) [Progressive BMI Hill] Interesting and original sound on this pleader from talented songster Hill.

m _ “THE PRAYER OF A FOOL”

B

.

DUKE LLOYD (Surf 5036)

B

“MIDDLE OF A DREAM” (1:59) [Paty BMI— Michael] Contagious

middle-beat stylings, with Lloyd fine on the ditty and support an infectious joy. Stands a chance.

B

Bell

338)

RATAMATAT1

“CINCINNATI

ASCAP—

Beatty (2:33) [Spencer A swinger that features colorful woi by the drum team. Should interest tl jocks.

“DRUMBLE RUMBLE”

“TIME WILL TELL” (1:52) [LeB Alan BMI Blackthorn-Gaut] Lloyd shows a keen ballad way on the

B

pretty affair.

here and results are exciting.



commercial use are reviewed by

[Abel

BMI — Spencer,

twosome gets more

THE CASH BOX’

of

(2:3

Speas] Tl a

spotlig

he Cash Box, Music

Page 13

August 15, 191

SINGS

-

ANOTHER GREAT POP HIT

'

,

“It’s

What’s in

THE CASH BOX

That Counts—INTERNATIONALLY”

August 15, 195 9 %

Page 1

The Cash Box Music ,

A

B+

PICK

B

EXCELLENT

C+

VERY GOOD

C

GOOD

D

FAIR

MEDIOCRE

THE CASH BOX ”

“Only those records best suited for commercial use are reviewed by

DELLA REESE

LOUIS BELLSON ORK

MIKE BARNETT & COQUETTES

JOE HENDERSON

(Jubilee 5375)

(Verve 10178)

(Imperial 5610)

(Signature

«

WANT TO WALK

DON’T

“I

,

WITHOUT YOU” (2:07) [Paramount ASCAP — Styne, Loesser] a

offers

Luigi,

Victor’s Hugo & tasteful teen-swing

now with

Stylist,

version of the oldie. Her fine upbeat reading is nicely matched by inventive Billy Mure ork-chorus beat work. Solid jock programming.

[M. Dubin]

(2:02)

Warren, bright

Fine oldie gets a rendition from the Bellson’s recently oi'ganized

swing

drummer outfit.

“D R

B

UMME

“I’M NOBODY’S BABY” (2:19) [Leo Feist ASCAP Davis, Ager, Santly] An expressive beat turn for the ancient. Could move.



R’S

with

getting

Bellson

a

chance to shine solo-wise.

[Calaban & Chorney, are featured in a

“RICKY” Fairway

(2:03)

BMI — Shrager,

Shrager] Femmes touching display of devotion. Opus is a hunting teen statement. With exposure, this deck can move.

“PARKIN’ METER” (2:12) aban & Fairway BMI

HOLIDAY” B

ASCAP— Bellson]

[Vivid

(2:30)

A thumper

B

BACK IN TOWN” Witmark ASCAP

“LULU’S

B

[CalDorf, for the gal and

A rock romp guy singers. Parking meter sound when coin is inserted is included.

GARY VON

(Headline 1004)

B

rock joy here. Songster Carney socks with pro teen zest while the A1 Lombardy crew provides a lively beat

[Bregman, Vocco & Conn Wan-en] Good teen updating of the standard. Lark is sincere and the LeRoy Holmes’ crew hands-in an effective triplet-string stint. Should be eyed. (2:25)

sweet-beat side, Carney is gentle on the appealing name-song. Very at-

“YOUR LOVING BABY”

0+ [Budd ASCAP — f*

B

NEVER KNOW” B

ASCAP— Gordon,

support.

“CAROLYN” (2:35) [Inter-Continental ASCAP— Carney] On the

B,

“YOU’LL

B

“TEEN A” (2:00) [Inter-Continental ASCAP — Carney] Lots of fine

“DREAM OF OLWEN” (2:42) [Mills ASCAP — Williams] All-

B

lush treatment of the beautiful and fairly familiar melody. Choice

out

,

(2:50)

Kaye, Lampl]

Similar turn here on another plaintive.

>"

LEON SMITH

“I’VE LOOKED [Moonlight BMI

FOR”

—Von

cinating

entry.

ILG

(Capitol 4253)

(Cub 9036)

SANDY CARNEY

[Leeds Popular

English pianist offers an affable little combo swinger that could get strong air-play here (deck is reportedly big England). Chorus makes goodin sounding chants.

mood

ANGEE CASTLE

2001

“HEY CHICK” (1:51) ASCAP — Henderson]

B



Lake]

1

Ilg]

opens

stunt

guitar

(2:09)

Fasdeck,

(Epic 9326)

B

“LITTLE FORTY FORD”



O'

(1:45)

to capture teen listening tastes here.

[Myrtle Mountain BMI Marshall] Fine rock vitality to this “Be Diddley”-styled outing. Smith’s wort is excellent, and chorus is also a big

Could move.

sound factor here. Bears attention.

which goes on to an interesting plaintive reading by the singer and occasional use of the opening bit. Much

B

“EARLY NEXT (2:10)

[Moonlight

MORNIN’” BMI — Von

Ilg] The artist tries a more conventional rock formula here and comesacross with a solid belt performance,

-

“ONCE

B

HAD A HEART’

I

[Myrtle Mountain BMI— Coleman] A tender middle-beat turn by Smith and he comes through in (2:20)

Tune

vitingly.

is

good.

combo included.

tractive side.

1

young Lions (Roulette 4149)

B

“WHERE”

[Patricia BMI Upp] Songster supplies an appealing wistful sense to the inviting plaintive. Side should reach the hearts of teen listeners.

B —

“I

B

(2:14)

CAN READ BETWEEN THE (2:02) [Patricia BMI—

LINES”

Upp]

Strong

backs

beat

Darling’s

essay here.

“SUMMERTIME WITH YOU” (2:04) [Debbie-Jo ASCAP— Pom-

Boys are good on the pleasing romantic, whose title speaks cher, Colburt]

for

Latin-beat setting

itself.

EARL HOLLIMAN

JUDY SCOTT

(United Artists 177)

DALE DARLING

is

at-

tractive.

(Top Rank 2007)

(Capitol 4254)

», “LIFETIME” (2:02) [Knollwood fir ASCAP Gluck] Snappy cutey

B

from the songstress and

Raleigh]



lively

com-

FOUND LOVE” & Range BMI

“WE



[Hill

Holliman

command

on.

to entrance the teeners

Wolf

pleasan

takes

panions. This catchy date could catch

(2:27;

of the likeable ballad.

Sun

on the dance

floor.

B

“MAYBE

SOMEDAY” ASCAP —

(2:03) Colburt,

[Debbie-Jo Schutzer] The crew’s lead does a handsome job on the sentimental, with remainder of team in sympathetic support. Teeners will understand.

B

“YOU BETTER DECIDE” [Herb Reis

BMI— Wolf,

More happy beat

(1:48)

Raleigh]

talk on this end.

“WILLINGLY”

B

ASCAP

—(2:29) Van

[Julhfi

Heuser Cahn] More good warbling by Holli man on the OK romancer. Stearns

LISA STUART (Cub 9040)

ROSEMARY CLOONEY (MGM

B “ANOTHER YEAR” [Abars ASCAP— Bernard]

ERNIE SHELDON

12823)

(Columbia 41 440)

“FOR YOU” [M. Witmark ASCAP — Dubin, Burke] A wildly

B

swing-Latin survey of the standard by the lark and Joe Seymour ork. This socko affair will

exciting

greatly please the jocks.



(2:21)

the things that make a girl a woman (i.e. a moment, a blush and a man).

WANDER”

[Roger & Ray “I Gilbert] SongGilbert stress warmly tones down on the familiar folk-like beaut.

B

[Bryden BMI Sheldon, Barron] Fine handclap sound to this essay by Sheldon and ork-chorus. Theme’s concerns

B

ASCAP—

B

“WAKE HER, SHAKE HER” (2:15)

Sweeton the folk-styled lovely. Sympathetic and quite appealing Ray Ellis ork backing. Work like this is well worth the chance to sucvoiced lark

“AND A MAN”

[Bryden

BMI



Sheldon]

More bright beat doings.

AL HIBBLER (2:40)

is

ceed.

B

UPON A DREAM”

“ONCE

(Decca 30946)

fine

[Walt Disney ASCAP— Fain, Lawrence] The Tchaikovsky theme from Walt Disney’s “SleepingBeauty” flick makes for another inviting vocal display by the thrush. (1:48)

“LONESOME AND COLD”

B

par

BMI — Barry]

[Cc

Pro perform

cozy on the semi-blueser. Triple! string backing is at ease. is

“IT WON’T BE EASY” (2:45 Bruce, Ward [Barton ASCAP Hibbler is again relaxed, and bad ground is band-styled.



B

DOUG & FREDDY GENE DUNLAP

(Rendezvous 111)

CLYDE OTIS ORCH.

GARY & CHUCK

(Hitt 184)

(Mercury 71484)

B

(On-Beat 101)

B

,

“PROBLEMS ON MY MIND”

»+(2:37) [Wilks

BMI— Dunlap]

teresting slow-beat lap,

In-

musing by Dunto work

who has a good opus

with. There’s an opportunity for success here.

“I’M GONNA FIND HSR” (2:10) Dunlap] Upbeat [Wilks BMI blueser has both singing and narraft

,

tion.



“ONLY LOVE” (1:47) [American Melodies BMI — Baker] Teen

B, “NATCHEZ PARADE”

“I



BELIEVE IN LOVE” Mardon BMI —

(1:5S

Sal

[Forsite

(2:03)

[Bourne ASCAP Shapiro, Baron] Delightfully joyful chorus-ork

manca] Catchy upbeat sense to th essay by the song duo. Can catch-c

vocal-guitar

work somewhat

with the kids.

will appreciate.

lee” vein. This rousing piece is lots of merry-time spins.

B

team do well on the jumper. Has a vitality the youngsters

B

“YOU KNOW” Melodies

BMI

(1:55)

—Baker]

[American Boys are

rhythmic again, and acquit themselves with authority.

in the

“Alabama Jubiworth

©.“MAGNOLIA BLOSSOMS”

Ot (2:12)

[Asset

ASCAP — Norman,

Owens] Interesting blues-styled with good-sounding ork

bits.

"Only those records best suited for commercial use are reviewed b v

entry,

D

“A i

LOVER’S

[Forsite

PLEA”

Mardon BMI



(

2 2' Sal; :

Ruiz] Boys are sound-wii again on this deliberately-paced r mantic. It’s got a sound of its ow Might make a move, too.

manca,

THE CASH BOX ”

5 lie

Cash Box , Music

rHIS

Page 1

August 1SV 1959

AD FOR DEALERS A

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