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Historicity and the Route. Remarks on the Relations between Art and Anthropology in the Illustrations of the Travel Acco

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Content Acknowledgements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .     7 Juliane Noth / Joachim Rees Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .     9 I.  ART HISTORIES OF THE ROUTE: TRANSCULTURAL APPROACHES . . . . . . . . . . . . . . . . . . . . . . . . . .    33 Christian Kravagna When Routes Entered Culture: Histories and Politics of Transcultural Thinking . . . . . . . . . . . . . . . . . . .   35 (Annexe: Martin Beck, Half modern, half something else) . . . . . . . . . . . .    48 Monica Juneja Tracking the Routes of Vision in Early Modern Eurasia . . . . . . . . . . . . .   57 Eugene Y. Wang Why Was There No Chinese Painting of Marco Polo? . . . . . . . . . . . . . .    85 II. SYMBOLIC ITINERARIES AND TOPOGRAPHIES: FRAMING ROADS AND ROUTES . . . . . . . . . . . . . . . . . . . . . . . . . .   107 Elizabeth Kindall Geo-Narrative in Seventeenth-Century China . . . . . . . . . . . . . . . . . . .   109 Sophie Annette Kranen Historicity and the Route. Remarks on the Relations between Art and Anthropology in the Illustrations of the Travel Account of James Cook’s Third Expedition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   133 Julia Orell Itinerary and Painting Lineage: Ten Thousand Miles along the Yangzi River in Seventeenth-Century China . . . . . . . . . . . . . . .  153 Juliane Noth Seen from a Boat: Travel and Cultural History in Huang Binhong’s Landscape Paintings . . . . . . . . . . . . . . . . . . . . . . . .  175

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III. CROSSROADS AS CONTACT ZONES: ARTEFACTS OF INTERACTION . . . . . . . . . . . . . . . . . . . . . . . . . . .   201 Joachim Rees / Nora Usanov-Geissler Harbouring Expectations: The Littoral as Contact Zone in the Visual Arts of Japan and the Netherlands around 1600 . . . . . . . .   203 Evelyn Reitz Transcultural Ballast. Netherlandish Tiles as Vehicles of Exchange . . . . .  235 Ulrike Boskamp Suspected Prospects. Art, Topography, and Identity in the Portsmouth Area around 1800 . . . . . . . . . . . . . . . . . . . . . . . . . . .  259 IV. PLATES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   287 V. APPENDIX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   313 List of Contributors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  315 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  319

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