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On Chemotherapy: Smelling Like a Baby. 231. The Central Australian Desert: Memory of a Dreamtime. 234. Nightsea Crossing

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C ontents

Contents

Interview Short Contributions Works

Timea Andrea Lelik

16 20

Short Contributions

Works







152



Charlemagne Palestine

On Meeting Ulay and Marina

Maria Rus Bojan

Preface  Breaking the Norms: Poetics of Provocation

Works 1975



157 158

49 Auto-Portrait



162



50 Duel I





51







  Duel II 52 GEN.E.T.RATION ULTIMA RATIO  54 Aphorism 58  The Metamorphosis of a Canal 60 A’dam Between 66 White Bride 68 Soliloquy 70 S’he

Alessandro Cassin



Ulay on Ulay

Foreword to the Interview 84  On Water: We Are 70% Water, Our Brains Are 90% Water! 88  Early Works: Ephemeral, Intimate Actions, with 83

94



No Audience, Arrested in Time through the Polaroid FOTOTOT: Taking Authority Away from Photography



House







173



176





Silvio Wolf

On the Aura of Ulay and Marina Laurie Anderson

On Driving in Circles

 More on Relation Work: Documenting Performance
 Documenta 6, 1977 188  On Religion, Spirituality and Nature: 177 184

Looking Within and Without


189

Finding Identity: Unlearning









98 97

102 106 108 110 112 100

Works 1973 – 1974





Renais sense Aphorism



Pa’Ulay



Diamond Plane



Red Venus



Dutch TV





Art Making as Identity Search
  Animism, Buddhism, Beckett and Cage
 229  On Chemotherapy: Smelling Like a Baby
 231 The Central Australian Desert: Memory of a Dreamtime
 234  Nightsea Crossing: A Man, a Woman, Two Chairs, That’s It
 239 Women 226





 Talking about Similarity 208 Relation in Movement 210 Relation in Time 212 AAA-AAA 215 Incision 216 Charged Space 218 Work Relation 220 The Brink 222 Installation One 224 Rest of Energy 206

225

On Polaroid



Touch

to a Situation

Death of a Transvestite

John Reuter

Works 1976 – 1980

 FOTOTOT I 197 FOTOTOT II 200 Relation in Space 202  There is a Criminal 193

to Art – Corresponding

S’he

 Relation Work: Symbiosis Creates ‘the Third’ 117  Berlin. There Is a Criminal Touch to Art 124  Polaroid and Photography as a Second Skin 129



Dunes

113



Untitled

Exchange of Identity  Duel IV 164 Soliloquy 168  Keine Möglichkeit 2 Platz­ wunden









Paula

Works 1970  –  1973

15

149 Face Forward: Ulay’s Portraits

Works 1974 – 1975

Father & Son 134  Bene Agere (In Her Shoes) 136  Anagrammatic Body Aphorisms 140  Anagrammatic Aphorisms 144 Retouching Bruises 133







241



Alessandro Cassin

Marina Abramovic´ on Ulay

16



Essay / Interview



254 256 245

Interview / Appendix



Works 1981 – 1986



Nightsea Crossing Positive Zero



373

Short Contributions



Lena Pislak

Letter

Constructive Anarchy Photogene and Other Projects
 380 Large Format Polaroid
 387  Hoarding, Preserving and Collecting One’s Work
 388  In the Australian Desert: Learning to Be a ‘Calm Rabbit’


Modus Vivendi

377 378

Unknown Works from the 1970’s America: An Ambiguous Flirt 274  MoMA Opens to Performance: Marina’s Retrospective 277 Walking Toward Separation 265 268



281



282





Works 1986 – 1989

Friday – Saturday  Die Mond, der Sonne 284 Saturday (triptych) 286 Fragilissimo 288 Tuesday – Saturday 290 Wednesday – Saturday 292 Saturday 294  Chang Cheng Nei Wai 296  China Red, Northern





298



300

313

 The  The

 The End of the Partnership with Marina Abramović:

provinces





329



 A Misfit and Up to His Neck in Water





334 338 346 348 333

349



457

Vanitas

520

Untitled





358 370 372 357

Works 2000 – 2012

Portraits of Ethnics 428 7 in a Boat 430 Cursives & Radicals (diptych) 432  I am Other 436  Johnny 438 WE Emerge 442 Google Water Goblins 444 Patagonia 448 Whose Water Is It? 452 FOTOTOT 454 Sweet Water Salt Water 456 Self-Portrait 425

Life & Work  Life & Work: Ulay, Curriculum Vitae 529 Index 534  Cross-references Images and Text, Credits of the Images,

Long Playing Record

On the Covered Images

Authors, Acknowledgements 536 Colophon

Ulay and Photography





Self-Portrait

Thomas McEvilley





Works 1990 – 1993

Water for the Dead

Drop Shadow

 Watuma Tarruru Tjungarrayi Goes to Amsterdam
  Solo Performances: The Psychology of the Audience 415  Performance Then and Now: From Garages to White Cubes
 420 Peace Warrior 421 Performing Light 423  Confronting Illness, More on Water

Tevž Logar

uxembourg Portraits I & II L Lichaamstaal

413





17

404

Dismantling the
‘Institution’ 320 Photography, Again
 321 A Son Re-performs His Father 323  On Being a Father (An Orphan Becomes a Father)
 325  Teaching Art: Is Art Teachable?
 326  Moldova: I Am Not a Photographer After All


406 400



Yellow and

Cyan?

409

I

Great Wall Walk – the meeting Lovers

Works 1997 – 1999

Aboriginal Afterimages 398  Who’s Afraid of Magenta, 393



along the Great Wall of China



Works

Contents







535 Works 1994 – 1997

Fortress Europe Berlin Afterimages Women Inferno Copy Reality

18

Contents

Interview Short Contributions Works

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