Fanon and the Revolutionary Class [PDF]

the aesthetic basis for much of twentieth century art photography in Mexico.53 Art photographers such as Tina Modotti and Manuel and Lola Álvarez Bravo worked for the muralists in documenting their work, rounding the circle of mimetic capital of revo

Don't fear change. The surprise is the only way to new discoveries. Be playful! Gordana Biernat

Life is not meant to be easy, my child; but take courage: it can be delightful. George Bernard Shaw

FRANTZ FANON*. ON NATIONAL CULTURE. TODAY WE KNOW that in the first phase of the national struggle colonialism tries to disarm national demands by putting forward economic doctrines. As soon as the first demands are set out, colonialism pretends to c

the Earth, “On National Culture”6. With its urgent tone, this essay explicitly announces Fanon's reflections on the question of cultural tradition, and its place in the struggle for liberation. First. 4 Frantz Fanon (1968) The Wretched of the Ear

the Earth, “On National Culture”6. With its urgent tone, this essay explicitly announces Fanon's reflections on the question of cultural tradition, and its place in the struggle for liberation. First. 4 Frantz Fanon (1968) The Wretched of the Ear

When you talk, you are only repeating what you already know. But if you listen, you may learn something

Just as there is no loss of basic energy in the universe, so no thought or action is without its effects,

Nothing in nature is unbeautiful. Alfred, Lord Tennyson

So many books, so little time. Frank Zappa