Idea Transcript
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if a song could be freedom mixtape 010 – Protest & Survive by Brandon Bauer Home by KCAbout Our Mission September 1, 2015 Our History Contact Us Press Posted in Exhibitions Current Posts by Date Past Traveling Events February 2018 Upcoming January 2018 Openings December 2017 Performances November 2017 Talks October 2017 Film Screenings September 2017 Workshops August 2017 Music July 2017 Events Policy June 2017 Blog May 2017 Publications April 2017 Audio Interference March 2017 Donate February 2017 Wish List January 2017 Sign Up December 2016 Volunteer November 2016 List of Sustaining Members October 2016 Donate Materials to our Collection September 2016 In-Kind Donors August 2016 Visit July 2016 Search the Collection June 2016 May 2016 April 2016 March 2016 February 2016 January 2016 December 2015 November 2015 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 March 2015 February 2015 January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011
Mixtape 010 Protest and Survive is brought to us by Brandon Bauer. Brandon is an artist based in Wisconsin. His Euromissiles Crisis print series critically examines the nuclear abolition movement in the 1980s. The series references cultural, political, and activist events of the era, and serves as an allegory of citizen involvement, as well as the power of everyday people within the political process. The Euromissiles Crisis print series was installed as part of his exhibition titled: A Call To Halt, which included a reenactment of the 1982 Nuclear Freeze Referenda, in which Wisconsin was the first in the nation to put multilateral nuclear disarmament policy to a popular vote. For More Information: https://randomculture.wordpress.com/ Protest And Survive! A 1980s Punk Rock Nuclear Abolition Movement Mix by Brandon Bauer “Living With The Bomb” – The Brigade (United States) “Two Monstrous Nuclear Stockpiles” – Discharge (England) “Limited Nuclear War” – Toxic Reasons (United States) “Whose Bomb” – Chaotic Youth (Scotland) “Ashes To Ashes” – Neon Christ (United States) “Bombenterror” – Marplotz (Germany) “I Hope You Get Drafted” – Dicks (United States) “Hiroshima” – Dirt (England) “Nagasaki Nightmare” – Crass (England) “Fun Wars” – Dead Katss (England) “Tapioca Sunrise” – Flux of Pink Indians (England) “World War III” – Powerage (South Africa) “Nuclear Armed Hogs” – G.I.S.M. (Japan) “Kinky Sex (Makes The World Go Around)” – Dead Kennedys (United States) “Drop The A-Bomb On Me” – O.D.F.X. (United States) “Annihilation” – Crucifix (United States) “Paranoid Chant” – Minutemen (United States)
“Live Fast Die Young” – Circle Jerks (United States) “Rival Leaders” – The Exploited (Scotland) “Arms Race” – B.G.K. (Netherlands) “Their Decisions” – The System (England) “Missile Destroyed Civilization” – MDC (United States) “Doomsday Machine” – Stalag 17 (Ireland) “When The Bomb Drops” – Subhumans (England) “Protest And Survive” – The Varukers (England) “Last Rockers” – Vice Squad (England) The nuclear abolition movement in the 1980s, a movement that inspired the largest single-issue political demonstration in American history, is an inspiring example of ordinary people confronting the prospect of annihilation. As a Gallup Poll conducted in September of 1981 found, 70% of American people felt nuclear war between the US and Russia was a real possibility, and the remaining 30% of those polled were split between those who felt the prospect of nuclear confrontation was either “good” or “certain”. This sheds light on the outlook of the time; no one polled discounted the possibility of nuclear war. The nuclear abolition movement brought the issue of arms control to the forefront of the political agenda within a contentious period dominated by national leadership focused upon the opposite, and actively engaged in a renewed arms race between the US and Russia. This movement set into motion the treaties and reductions in nuclear weapon stockpiles that brought the number of stockpiled weapons in the US from over 24,000 in 1980 to a reduced total of below 5,000 today, and the task of disarmament set in place by those treaties continues. Punk was a critical voice in this struggle, and this mixtape demonstrates the range of biting analysis, cynicism, gallows humor, passion, and urgency those in the punk subculture contributed when addressing the issue of nuclear disarmament and abolition. Within these songs there are also a couple of surprising references to the Nuclear Freeze Campaign, which was a US campaign to put multilateral nuclear disarmament policy to a popular vote across the country. This is surprising because punk’s anti-authoritarian stance rarely endorsed the electoral process as a means for change, but it does demonstrate the broad appeal of the Nuclear Freeze Campaign among activists in this era. One thing punk has been particularly adept at is boiling down an incisive critique into a simple yet powerful lyrical phrases and slogans, and there are some great examples in these songs: “Our governments must cease / Building arms to “keep the peace” / Even though the people want a Freeze / They keep building all the arms they please…” – “Stop the Arms Race not the Human Race!” – “Protest and Survive!” Like 31
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